Tuesday 12 November 2013

Poet's Corner

Good morning.

The sun is shining outside on a lovely autumn morning and I've almost done my NaNoWriMo word count for the day.  So before I dash off and do something vaguely resembling housework, here are a couple of poems I presented at 100 Poets.

Our programme began with a warm-up and after that, we launched into 'If...', which has been polled as the nations's favourite.  Alternatives were permitted and so I wrote my own version just for the event.  It was quite popular and was picked up and performed by other poets, too, which was very flattering...

If, Revisited…
If you can scan a line when all about you
Are losing verse, and blaming it on you
If you can trust your muse when critics doubt you
(but then decide to change a word, or two…)
If you can rhyme and not be tired of rhyming,
Or being published once, don’t fantasize
Or get rejection slips, and do not mind them
And yet don’t stroke your ego to the skies…

If you make verse and not make verse your master
Use assonance, but not make vowels your aim
If you can write a villanelle or sonnet
But not make those constructions sound the same
If you can bear to hear the words you’ve written
Misquoted so it sounds like breaking rules
Or create consonance so bad it’s broken
And stop, remake it so it sounds quite cool…

If you can Open Mike and stay cold-sober
Quote Homer, Shakespeare, Joyce to name a few
If you can face the blankness of the paper
And cover it with words both fresh and new
If you can fill the unforgiving sonnet
With fourteen lines of florid verse full run
If this 100 Poets has your name on it

Then just make sure you make them scan, old chum…



The next act of the performance was Victory and Defeat, but the poem I want to give you next came from the section after that, 'Get Physical', and I presented two poems, one which I wrote a very long time ago and one I wrote specifically for the event.  In part, it was inspired by the work of Mandy Long, a sculptor whose 'On The Edge' exhibition features ceramic figures in dynamic poses; many of the pieces represent rugby players and Mandy manages to capture the power and grace of these big, strong chaps with eloquence and style. And I wish I had the money to buy a few...


Give Blood – Play Rugby

Animal eyes engage.
Whistled signal and the rush
The dance and slam begins. Throw and catch, run
And run again. Crash
And tackle, smashed bodies
Body armour slabs of muscle, invincible, outside.

Within a feral something stalks
in mud and sweat and blood;
Determination
Not to fall, to be
Less frail.

Slams of exoskeleton.   Meet
And grapple; fingers, hands, reach out and snatch.
Slide.  The ground
Tears like tissue. The ball passed.  Dancer’s grace
And bouncer’s bulk
Meet and meld and reach.
Nosing down, the ball touches
Across the line. The crowd roars,
‘TRY!!!’

Can’t they see, they are?


Poetry is sometimes an acquired taste, so I'll leave it at that for the moment.  I may well pop a couple more into the next post.

Feedback always welcome.

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